Wikipedia: Macro photography
is close-up photography
. The classical definition is that the image
projected on the "film plane" (i.e., film
or a digital sensor) is close to the same size as the subject. On 35 mm film
(for example), the lens
is typically optimized to focus sharply on a small area approaching the size of the film frame. Most 35mm format macro lenses achieve at least 1:2, that is to say, the image on the film is 1/2 the size of the object being photographed. Many 35mm macro lenses are 1:1, meaning the image on the film is the same size as the object being photographed. Another important distinction is that lenses designed for macro are usually at their sharpest at macro focus distances and are not quite as sharp at other focus distances.
In recent years, the term macro
has been used in marketing material to mean being able to focus on a subject close enough so that when a regular 6×4 inch
(15×10 cm) print is made, the image is life-size or larger. With 35mm film this requires a magnification ratio of only approximately 1:4, which demands less of lens quality than 1:1. With digital cameras the actual image size is rarely stated, so that the magnification ratio is largely irrelevant; cameras instead advertise their closest focussing distance.
© Dan Honovich Photography